Jerry Mitchell made his Broadway debut as Director with the hit musical, Legally Blonde, for which he also served as Choreographer and was nominated for both the Tony and Drama Desks Awards for his choreography and the Drama Desk Award for his direction. He received the Tony, Drama Desk and Outer Critics' Circle Awards for his dazzling choreography created for the 2005 Tony Award-winning Best Revival of La Cage Aux Folles, having also been nominated for the Tony Award in the same category for the smash hit musical, Dirty Rotten Scoundrels. Previously, Jerry had received Tony, Drama Desk, Outer Critics Circle and Astaire Award nominations for choreographing Broadway's Tony Award-winning Hairspray and Tony, Drama Desk and Astaire Award nominations for choreographing The Full Monty, both shows having been directed by his cherished collaborator, Jack O'Brien.

Jerry began his choreographic career as associate choreographer to Michael Bennett on Scandal and Jerome Robbins on Jerome Robbins' Broadway. For Broadway, he also choreographed the hit revival of Gypsy, starring Bernadette Peters, which combined his own work with his recreation of Jerome Robbins' original, as well as Never Gonna Dance, the first and only Broadway musical based on an Astaire/Rogers film, making him one of the only choreographers to ever have three Broadway musicals running simultaneously (a distinction which occurred yet again for him in 2005 with the simultaneous runs of Hairspray; La Cage Aux Folles and Dirty Rotten Scoundrels). Prior to those productions, Jerry choreographed the Broadway revivals of The Rocky Horror Show (Drama Desk nomination) and You're a Good Man, Charlie Brown, Hedwig and the Angry Inch (on stage and film), the national tour of Jekyll & Hyde and Paper Mill Playhouse’s critically acclaimed Follies, featuring Ann Miller.

Jerry's memorable film work includes In and Out, Camp, Drop Dead Gorgeous and Scent of a Woman. For television, Jerry was nominated for an Emmy Award for choreographing The Drew Carey Show. He was recently featured as host of Bravo's Step It Up and Dance and appeared in his role of Director/Choreographer of the Broadway production in MTV's reality show, Legally Blonde-The Search for Elle Woods.

In 1990, Jerry created the first Broadway Bares, a comedy burlesque performed for the benefit of the charity Broadway Cares, and has produced, directed and/or choreographed this landmark annual event 18 times thereafter (so far). He also conceived and authored the recently published book, Backstage Pass, a photo essay of the event's first 17 years, with all proceeds benefiting Broadway Cares.

Future projects include choreographing Love Never Dies (the sequel to Andrew Lloyd Webber's Phantom of the Opera) and Catch Me If You Can (both with Jack O'Brien as Director), as well as Broadway musicals based on the films, Mad Hot Ballroom and Kinky Boots and the play, Once in a Lifetime.

Andrea Lippa wrote the book, music and lyrics for the Manhattan Theatre Club production of The Wild Party, for which he received a Drama Desk Award. He recently composed the music for the Broadway production of Aaron Sorkin’s The Farnsworth Invention. On Broadway he was also represented by the revival of You’re a Good Man, Charlie Brown, for which he wrote three new songs. His musicals also include Asphalt Beach (music and lyrics) at Northwestern University by the American Music Theatre Project in October 2006 and John & Jen off-Broadway at the Lamb’s Theatre. Mr. Lippa’s recordings include Julia Murney’s new CD I’m Not Waiting (producer, 3 songs), The Wild Party (RCA Victor) which he also produced, You’re a Good Man, Charlie Brown (RCA Victor) which earned him a Grammy Award nomination, and John & Jen (Fynsworth Alley) which he associate produced. As Kristin Chenoweth’s music director he has conducted The Chicago, San Francisco and St. Louis Symphony Orchestras, led concerts at Carnegie Hall and The Metropolitan Opera House, and many others. He is currently writing the music and lyrics for a new musical based on Jules Feiffer’s The Man In The Ceiling (Mr. Feiffer is writing the book) which is being produced by Disney Theatrical for Broadway and his musical The Addams Family, will premiere in Chicago in November, 2009 prior to making its Broadway bow in the spring of 2010.

Las Vegas: Monty Python’s Spamalot, Avenue Q. Broadway: Irving Berlin’s White Christmas, In The Heights (Tony Award nomination), The Country Girl, Legally Blonde, High Fidelity, A Chorus Line (2006), Dr. Seuss’s How the Grinch Stole Christmas, The Drowsy Chaperone, Hot Feet, The Light in the Piazza, Monty Python’s Spamalot, Dirty Rotten Scoundrels, Dracula the Musical, Twentieth Century, Fiddler on the Roof, Never Gonna Dance, The Boy From Oz, Avenue Q, Gypsy (2003), La Bohème (Drama Desk Award). Numerous international, off-Broadway and regional productions, plus theatrical concerts and special events with renowned orchestras at world-famous venues indoors and out. The partners are: Tom Clark, Mark Menard and Nevin Steinberg.

Broadway: Legally Blonde (2007 Tony nomination), The Drowsy Chaperone (2006 Tony Award, Drama Desk Award, Outer Critics Award, Olivier nomination), Dirty Rotten Scoundrels, Flower Drum Song (Tony nomination), Side Show. New York: Sinatra (Radio City Music Hall), The Wizard of Oz (Madison Square Garden), Radio City Music Hall Christmas Spectacular (Principal Designer 1994-2005), Cinderella and The Merry Widow (New York City Opera), Pageant (The Blue Angel and London’s West End- Olivier Nomination), The Kathy and Mo Show, Eliot Feld’s Behold the Man, Judith Jamison’s ballet Sweet Release (Alvin Ailey). Regional credits include: Mame (The Kennedy Center), Lucky Duck (San Diego Critic’s Award), Allegro (Helen Hayes Award) and many others. Gregg was the first recipient of the Theatre Development Funds Young Master Award.

Michael Gill is a Tony® nominated producer and manager, whose company has managed over 22 productions on Broadway since 1979.    Since moving to Nevada, Michael has managed the Las Vegas companies of Phantom: The Las Vegas Spectacular; Jersey Boys; MAMMA MIA!; Hans Klok; The Beauty of Magic; Hairspray; Hugh Jackman: In Time; We Will Rock You; Storm; Chicago; Men are from Mars – Women are from Venus, the Musical; Tease; Always: Patsy Cline; and the Las Vegas premier of Dame Edna: A Dame in the Desert.

Broadway/West End: Fame Becomes Me, Linda Eder Live At The Gershwin, Shakespeare’s R&J (Tokyo & London). Off-Broadway: Broadway Bares VI – XIV, Floyd And Clea Under The Western Sky, Saving Aimee!, The Mistress Cycle, Under The Bridge, Boy, The Mysteries Of Harris Burdick, The Violet Hour, … in the absence of spring…, Sarah Plain And Tall, Skyscraper, Cloud Nine, Linda Eder Live at Carnegie Hall. Regional: The Kiss Of The Spider Woman, The Glass Menagerie, M. Butterfly (Barrymore nomination), Merrily We Roll Along, The Word Begins, Witches Of Eastwick, Into The Woods, Assassins, Urinetown (Helen Hayes nomination), Elegies: A Song Cycle (Barrymore nomination), Burnt Part Boys, The Last Five Years (Barrymore nomination), Follies (Helen Hayes nomination), Hedwig And The Angry Inch (Helen Hayes nomination), Grand Hotel, …in the absence of spring…, Sideshow, I Am My Own Wife, Of Mice And Men, My Fair Lady, Four Dogs and a Bone, and Three Viewings. Other: The Pajama Game.(National Tour), The Backyardigans (National Tour), Barbie Live In Fairytopia (National Tour), Jesus Christ Superstar (European Tour), Twice Charmed and Remember The Magic for Disney Creative Entertainment, and the feature film Camp. His studio, Lightworks, conceives and designs lighting for clients such as Coke, Ford, American Express, and Intel.

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David Rockwell designed the sets for Hairspray (Tony, Drama Desk, Outer Critics Circle nominations), Legally Blonde The Musical (Drama Desk nomination), The Rocky Horror Show (Drama Desk Nomination), All Shook Up (Drama Desk Nomination), Dirty Rotten Scoundrels, Armed and Naked in America, Omnium Gatherum, and, for film, Team America. He is the founder and CEO of Rockwell Group, a New York-based architecture and design firm. Projects include Adour Alain Ducasse at The St. Regis; interior work and brand conceptualization for JetBlue’s Terminal 5 at John F. Kennedy International Airport; “Hall of Fragments,” the entrance installation to the 2008 11th annual Venice Architecture Biennale; the Kodak Theatre, home of the Academy Awards ceremony (Los Angeles); set design for the 2009 81st annual Academy Awards; Imagination Playground; the Elinor Bunin-Munroe Film Center at Lincoln Center; Aloft hotels; W New York and Union Square; Nobu restaurants worldwide including New York, Melbourne, and Dubai. Rockwell was honored with the 2008 National Design Award by Smithsonian’s Cooper-Hewitt for outstanding achievement in Interior Design. He is currently the Chair of the Board of Trustees of the Design Industries Foundation Fighting AIDS (DIFFA) and serves on the board of Citymeals-on-Wheels and The Public Theater.

Ron Wild is a two-time Emmy Award and Cable Ace winner.  Designs for Film, TV and Theater: Home Alone; Star Trek 5; Battlefield Earth; Mind Freak; Adventures in Wonderland; Babylon 5; Fairie Tlae Theatre; Phantom: The Las Vegas Spectacular; Believe; Hairspray; Celine Dion; We Will Rock You;   MAMMA MIA!; Hugh Jackman: In TIme; KA; Love; and Le Reve.